Morsi Gamil Aziz was the lyric voice of Umm Kulthum's late partnership with composer Baligh Hamdi. Born in Zagazig in the Nile Delta, he became one of Egypt's most sought-after colloquial lyricists, writing hundreds of songs for the country's leading singers; for Umm Kulthum he supplied a run of 1960s landmarks — "Sirat el Hobb" (1964), "Fat el Maad" (1967) and "Alf Leila wa Leila" (1969), the night-drunk masterpiece that gave her final era its anthem. Where Ahmed Rami whispered, Aziz painted: his verses pile up sensuous images of nights, moons and gardens, casting love as a festival, a whole world lit up around two people. He also had a craftsman's ear for the refrain, coining hooks an audience could seize on first hearing and demand again — exactly what Baligh Hamdi's populist melodies needed. His name remains bound above all to her long nights: the phrase "a thousand and one nights" now belongs as much to his song as to the old tales.

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